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The Champagne Club Awards’24 [blanc de blancs of the year]

Picture of Champagne Club

Champagne Club

Or shall we call it ‘The Richards’ ?! Instead of ‘The Champagne Oscars’ ? We want to sum-up the year of 2023 from a Champagne perspective. In 20+ categories we hand out awards for this years most memorable Champagnes & Champagne related topics!

[featured partner – vigneron.se]

Estimated reading time: 6 minutes

HISTORICAL WINNERS
20242008 Krug ’Clos du Mesnil’
20231976 Taittinger ’Comtes de Champagne ’
20222008 Krug ‘Clos du Mesnil’
20211959 Franck Bonville ‘Vinothèque’ 
20201998 Mumm ‘Mumm de Cramant Vinothèque’ magnum 

Krug

★★★★

For me, Krug is more than a Champagne. It is a word that stands for artistry, tradition, craftsmanship, and moments of pure pleasure.

Richard Juhlin

The Krug family has used the same methods since the house was founded in 1843 by Johann-Joseph Krug from Mainz. It is hardly likely that the Krug philosophy will be abandoned in the foreseeable future, since it has brought so much success. Put simply, that philosophy means that all the wines are fermented cru by cru in well-aged 205-liter barrels from the Argonne and central-east France. The wines are seldom filtered: they undergo just two rackings, by gravity, from cask to cask. Nor do they induce a malolactic fermentation, which is one of the reasons for Krug’s fantastic aging potential. None of the wines is disgorged before it is six years old, and the reserve wines are stored in stainless-steel tanks from the Swedish company Alfa Laval. The firm’s least costly wine, Grande Cuvée, is made from 120 wines from at least ten different vintages.

Naturally the raw materials are also of the very highest class. Twenty hectares in Aÿ, Ambonnay, Le Mesnil, and Trépail are owned by the house, but above all it is the network of prestigious contracts with some of the region’s best growers that answers for the quality, as the growers consider it an honor to supply Krug with grapes.

Johann-Joseph Krug, the founder, learned his Champagne craft at Jacquesson and, when he regarded himself as qualified after nine years there, he set off to Reims to start his own house. After Joseph’s death his son Paul took over and built the powerful Krug dynasty, followed as he was by Joseph Krug II in 1910 and Joseph’s nephew, Jean Seydoux, in 1924. It was he, together with Paul Krug II, who created the famous cuvées, and it was only in 1962 that the legendary Henri Krug took over.

For a long time the wines were made by Eric Lebel now replaced by talented Julie Cavil and Olivier Krug is still the president.

They work undisturbed and independently, despite the fact that the firm is owned by LVMH. All Krug’s wines are small masterworks, and although Grande Cuvée may be lighter and fresher than its predecessor, Private Cuvée, after a few extra years in the cellar it outshines the competitors’ vintage Champagnes. Clos du Mesnil is a charmer that combines the best Blanc de Blancs while simultaneously distinguishing the wine with the house’s own distinct style. For me, Krug Clos du Mesnil is the best wine in the world! The Clos d’Ambonnay is a shockingly expensive rarity. The most costly young champagne in the world is worth 3,000 euros per bottle which does not seem to frighten away Krug fans since all 3,000 bottles are already booked up. The wine itself is fantastic most especially since it is clearly a brother belonging to the same sibling group in the Krug family. This wine is much more the breath of Krug than of Ambonnay, just as the Clos du Mesnil is in its own niche. It feels as though all Krug wines receive a last tiny squirt of Krug perfume that distinguishes them from everything else wherever their origins. It matters not if others copy the methods with old, small oak barrels, no malolactic fermentation, aging for 12 years and other technicalities. It is still impossible for them to copy Krug.

I think that the Clos d’Ambonnay is very reminiscent of the ordinary vintage and is astonishingly enough only marginally more full-bodied than the latter. A blanc de noirs with fantastic finesse far beyond all ungainliness. Its freshness and phenomenally long aftertaste are however the most striking things about this magnificent wine. The bouquet is richly creamy with a hint of hazelnuts and brioche along with papaya preserves and mango. The flavour balances between fairytale mellowness and a freshness that is beautiful. A new world-class wine has been born. The vintage Krug is now in competition with the Clos wines, but if we go backward in time, this is without doubt the best champagne of them all.

A chance to drink a Krug is never to be missed!

2008 Krug ‘Clos du Mesnil’

98(99)p

Every time I encounter my favorite wine, Krug Clos du Mesnil, I get goosebumps while my senses are heightened. This time we meet together with Krug’s management and my traveling party from the Champagne Club on Boulevard Lundy in Reims. Details so small, and to the uninitiated almost invisible, arouse my emotional interest. While the specially composed music enhances our impressions, I can’t help but wonder if everyone understands how grand this is. How wide is the difference in individual perception? Is it moments like this and my special ability to go deep into the soul of wine that made me dedicate my life to this divine drink? Should I be happy about my innate and trained talent or should I be sad that so many will miss the greatness of encountering one of the world’s greatest treasures of pleasure? A faint sea breeze, freshly laundered sheets, a hint of orange liqueur, a note of the spark when an iron skewer meets flint, sunny chalk on a June morning in the Côte des Blancs, oyster shells on the granite slab washed by the foaming waves of Bretagne, vibrating nervousness, freshly squeezed Sorrento lemon, white peach, walnut oil, soloistic clarity, multifaceted transience, crystal clear uplifting rippling alpine stream, jasmine, the white lilacs at our country estate. Colors of grey, white, orange, neon green and lemon yellow interact with the music and the unimaginable youthful vibrancy of the wine. Everything swirls past in an incredibly floating and perfectly coordinated Pas de deux. There is an indescribable class here that can only be compared to Raveneau Les Clos and Montrachet from Lafon or DRC. The similarities are striking with these majestic cannons, but the fragile elegance is even greater in this simultaneously young and ultra-fresh storage wine.


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